[11] Once again, Academy Awards were won for Ashman and Menken's music. Juli 2017.

Aber auch ansonsten eine tolle CD mit schöner Musik zum Hören und Mitsingen! The show then transferred to the Lunt-Fontanne Theatre on November 11, 1999, with an official opening date of November 16, 1999. "[24] Disney was outraged when, after their first performance at the Palace Theatre, The New York Times published caricaturist Al Hirschfeld's line drawing interpretation of Belle and the Beast's pose, in which Belle's yellow gown was colored pink, and the Beast's tuxedo appeared greenish as opposed to royal blue. Alan Menken ist nicht nur ein herausragender Komponist, er wurde auch als Musiker mit acht Oscars ausgezeichnet. Rezension aus Deutschland vom 6. The show's rights became available (in association with Josef Weinberger Ltd.) to amateur performing groups and regional musical societies. Susan Farrell Egan (born February 18, 1970) is an American actress, voice actress, singer and dancer, known for her work on the Broadway stage. [29] Both Menken and Rice initially approached the project with some resistance; Menken's emotional attachment to the music he had written with Ashman made him fear Disney's vision of a Broadway musical would transform Beauty and the Beast into an attraction too similar to what one would find at Walt Disney World. [26] Egan, who had not yet seen the film, had been auditioning for several other Broadway projects at the time – namely My Fair Lady, Carousel and Grease – in which she was much more interested. The sets in this production were widely considered to be the largest out of all the musical's productions in the world. Eine tolle Platte für Sammler mit leichten Abstrichen bei der Tonqualität&Verarbeitung, Rezension aus Deutschland vom 1. "[26] Additionally, Egan felt she was not attractive enough to play a character touted "the most beautiful girl in the village", but her agent managed to convince her otherwise. The musical opened to mixed reviews from theatre critics, but was a massive commercial success and well received by audiences. Leah expects that blue jacket, and if you don't give it to her, she and a lot of other ten-year-olds are going to be sad". [70] In addition to predicting that Beauty and the Beast would be derided by traditional Broadway theatre-goers and critics alike, Variety writer Jeremy Gerard was largely negative in his own review. After completing tryouts in Houston, Beauty and the Beast premiered on Broadway on April 18, 1994, starring Susan Egan and Terrence Mann as the eponymous Belle and Beast, respectively. [13] Lamenting the Broadway selection at the time,[10] Rich famously praised the songwriting duo for having written "[t]he best Broadway musical score of 1991",[13] while hailing the film as a "better [musical] ... than anything he had seen on Broadway" in 1991. It is scored for three synthesizers, a drum kit, a percussion section, double bass, three woodwind players, three French horns in F, two trumpets in B-flat, trombone, divided violins, cellos, and harp. She mourns her situation ("Home"), but Mrs. Potts and Madame de la Grande Bouche, an operatic wardrobe, attempt to cheer her up ("Home (Reprise)"). März 2014. After dinner, Belle gets a tour of the castle courtesy of Cogsworth and Lumière. In the end, the finished score has a quality all its own; a hybrid between" Ashman and Rice's styles.

The trombonist doubles on bass trombone and tuba. The musical opened on Broadway at the Palace Theatre on April 18, 1994, and ran there until September 5, 1999. [22] Hould-Ward designed the leads' costumes from the perspective of her daughter Leah, explaining, "when Leah comes to see it, she remembers from the movie that the Beast was in that blue jacket.

Einfach klasse und immer noch genial zum anhören. The dress accomplished all it was meant to accomplish, and then some … I built core muscles as I “waltzed” with the Beast and had to change trajectory as choreography demanded, while the skirt’s inertia kept pulling me in the opposite direction.

Appalled by Gaston's forwardness, Belle once again voices her need for a life outside this provincial life ("Belle (Reprise)"). He offers her his Magic Mirror to view him. [34], Stanley Meyer designed the production's set. [29] Elaborating on the main difference between writing songs for the stage as opposed to film, Menken stated that the lack of close-ups and montages in a live musical production creates a requirement for more singing material in order "to provide the same kind of illumination that intimate facial expression provides. Beauty and the Beast has been performed in more than 30 countries, including Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Egypt, Finland, France, Germany, Greece, Hungary, India, Indonesia, Ireland, Israel, Italy, Japan, Lebanon, Mexico, Netherlands, Norway, Philippines, Qatar, Romania, Russia, Singapore, South Africa, South Korea, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, United Arab Emirates, United Kingdom, and United States. This production closed in 2003. The production closed on January 11, 2009, and was transferred to Barcelona, where it ran from February 26, 2009, to January 10, 2010, at BTM, with some changes in the cast, including Mercè Martínez as Mrs. Potts, Marta Capel as Babette, Patricia Paisal as Madame de la Grande Bouche and Albert Muntanyola as Maurice. [26] Likening the musical to the Empire State Building, David Richards of The New York Times called the show "hardly a triumph of art, but it'll probably be a whale of a tourist attraction." But the prince turns her away solely for her appearance. [8], Inspired by Mermaid's success, production on an animated musical adaptation of the "Beauty and the Beast" fairy tale began shortly afterward, during which Ashman finally confessed to Menken that he was dying of AIDS, a secret he had been keeping from the studio in fear of being discriminated against or fired. [73][74], This article is about the stage adaptation. Reception towards the tryouts in Houston were so enthusiastic that the production was extended for two weeks. On a cold winter's night, an old beggar woman comes to a young spoiled prince's castle, offering him a single rose in return for shelter. Woolverton, who had written the film's screenplay, adapted her own work into the musical's libretto, and specifically expanded upon the characterization of the Beast. [1] While these musicals flourished on Broadway, it seems as though more serious, adult-oriented fare struggled to perform as well. [4][5] The Walt Disney Company CEO Michael Eisner was hired to ensure the performance of the studio's next animated projects, despite having virtually no animation experience. [16] The feather duster and wardrobe characters – only minor characters in the animated film – were broadened into fully realized supporting characters and named for the first time; Woolverton named them Babette and Madame de la Grande Bouche, respectively. The Original Stuttgart Cast Recording was released in 1998. Lucky for us. The Broadway production opened in South Africa in September 2008 and ran until March 2009.

This act of violence causes Gaston to lose his footing, and he falls to his death. "[37] Conceptualization began in summer 1992.

After the show closed in Los Angeles, all of the sets were transferred for the production in Mexico City in 1997. [3], Still recovering from Walt Disney's demise,[4] Disney's animated films continued to experience a noticeable decline in quality while struggling to attain critical and commercial success during the 1970s and 1980s. The servants keep the lynch mob at bay, but Gaston breaks through and finds the Beast in his tower.

They welcome him, but the horrid Beast arrives and locks Maurice away in the dungeon for trespassing. LeFou and the patrons attempt to cheer him up ("Gaston"). Die Tonqualität ist ganz gut, wäre da nicht das extreme Grundrauschen. The Little Mermaid: 1997-Original Edition, Music from Sleeping Beauty (Picture Disc) [Vinyl LP], Tangled (Rapunzel - Neu Verföhnt) - Engl. It was repurposed for the Broadway play, and on account of the musical's great success, an entirely new animated sequence based on the Broadway version was set to this song and inserted into 2002's Special Edition DVD release.

The Broadway production closed to make way for Disney's next musical venture, The Little Mermaid. [18] Namely, Woolverton made the Beast a more threatening yet sympathetic figure;[17] the writer expanded upon his characterization by developing the Beast into "a fuller character", aided by the addition of his own song, "If I Can't Love Her". [26], Egan's final week of auditions, during which she sang for Menken for the first time, was particularly challenging. Nur noch 4 auf Lager (mehr ist unterwegs). Several critics noticed the film's live musical potential,[12] among them prolific New York Times theatre critic Frank Rich. It was only at Burnett's insistence that Beach finally accepted. [33] When confronted by Roth about his promise upon learning of it from Braxton a few days later, within 24 hours Rice successfully discovered a location within the musical in which to include a new song, specifically "Where Belle tells Maurice about how the time that she spent with the Beast in his castle has changed her. After a shouting match between Belle and the Beast (which ends in a victory for Belle), he tells her if she cannot eat with him, then she will not eat at all. Pop Illusions were by Jim Steinmeyer and John Gaughan, and pyrotechnic design was by Tyler Wymer. ‡ "Human Again" was written by Menken and Ashman for the movie, but was cut, due to the complications it made on the film's timeline. It was a huge hit, for more than one and a half years, it was presented with Kiara Sasso playing Belle and Saulo Vasconcelos playing the Beast. She sees that Maurice is sick and lost in the woods and fears for his life.



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