Dublin Murders fell into a few traps, but rolled away from all of them, bloodily nicked but unbowed, to rise tall above ditches, below that grey perma-sky, and shine. And, of course, original boy wakes alive in grave, shakes shit from hair, walks eight miles in rain to join clone in pass-agg fight for career, wife, own life. Only Adam reappeared, covered in blood not his own and with his T-shirt deliberately slashed. Etc. And how many viewers will have guessed the twist in the final scenes before it comes?

And if it stirs in you the urge to devour the French originals, too, I promise you will find something even more richly delicious there. They are the first (and best) two thrillers in her Dublin Murder Squad series, and are among the most intricately plotted, beautifully written and psychologically acute examples of the genre that you will find. Cassie’s also got her secrets; chiefly a buried stint undercover.

Cassie (Sarah Greene) and Rob (Killian Scott) actually get on, sharing just-so dark humour and cheeky nips from a flask on harbour walls in 2006, when the Celtic Tiger was still all agleam with hubristic promise of gimcrack dockside flats.

Tom Hardy takes over the lone-wolf Mel Gibson role, combining with Charlize Theron’s one-armed gladiator Furiosa to administer explosive justice to sadistic gang chief Immortan Joe and his bestial crew. And what is the link between the homeless man daubing: “He rises. AK, Security is so tight around this season finale that HBO has not even released a title. It is not clear yet whether she has found anything to add to French’s work, or a way to reproduce all that, in careless hands, is in danger of being lost. It is, honestly, as good as everybody’s telling you.

The chief shining is being done so far by virtue of the two main police partners in this particular murder squad actually liking each other, shock. : The Debate Channel 5. Is Mr Devlin’s connection to the protesters against the coming motorway that will destroy the woods significant? Ammar Kalia, This week’s instalment of the series about UK trade is all about cars, meaning factory visits, Ferraris and talk of the future of manufacturing in the UK.

But if we judge the first episode, as is probably fairest, as that of a police murder-mystery series, it is a sophisticated and slickly satisfying operation. The Da Vinci Code with Tom Hanks may not have been his finest work, but the film could not have been made worse than its source material (see also Twilight and Fifty Shades of Grey). The pair are Garda detectives Rob Riley (Killian Scott) and Cassie Maddox (Sarah Greene), who find themselves in charge of a murder investigation when a 13-year-old girl, Katy Devlin, is found dead in the local woods. AK, Once the nation’s most popular supermarket, recent years have seen the British staple struggle with slowing profits following a failed merger with Asda earlier this year. We look at the Southampton probation office, which is currently managing more than 600 high-risk offenders, leaving staff overwhelmed. International Football: Bulgaria v England 7pm, ITV A Group A Euro qualifier.

In the event I was prettily surprised: producers had split the tiers into segregated sections (a tip for Question Time?) One sizable trap was that, yes, yawn, the first body found was that of a 13-year-old girl, found in the woods on an ancient stone altar (the second that of a pretty, half-naked student) and I wonder when writers will grow weary. Why is Cassie adamant that she and Rob cannot investigate this case past the preliminary stage?

And, by and large they didn’t screech with crazed tribal madness but showed each other faint respect and spoke (some) welcome sense, the last bunch in particular. Graeme Virtue, This doc looks at the company’s chequered past and questions whether it can keep up with the ever-changing online landscape. Paul Howlett. The last one I covered was in Soham (2002), and I can still recall vividly the international media caravanserai haring late that hot Saturday to RAF Lakenheath, then filing on the run at 5.40 and having too many slow hours after my burbled cliches to reflect on the true enormity. In reviewing the big Channel 5 Wednesday-night Jeremy Vine thing – Live Brexit Debate: Deal or No Deal?, in which they’d polled 26,000 souls, biggest snapshot since June 2016 – I’d prepared the phrase “thick to the back teeth with Brexit”. Ellen E Jones and She was right, as was the prof, but, as with the thing itself, pointing out “the wrong question was asked in the first place” seldom makes for a scented bower of unity. Truly, one for both old-Hollwyood aficionados and, pertinently, the selfie, Instagram age. Ellen E Jones, The “mad” is dialled up to 11 in George Miller’s ferocious reboot of his post-apocalyptic epic. (At least the writers here are female.) Last modified on Tue 29 Oct 2019 11.18 EDT, Dublin Murders BBC One | iPlayerLiving With Yourself NetflixGiri/Haji BBC Two | iPlayerSuccession Sky Atlantic/Now TVWhy We Hate Discovery UKAre Our Politicians Up to It? In Knocknaree, there’s only one local reporter/photographer. We open with the mysterious murder of a young ballerina on an ancient stone altar, and detectives Rob Reilly and Cassie Maddox’s efforts to solve it. Half of the concluding episode, on board Logan Roy’s (pointlessly huge, naturally, just cos he can) yacht, reminded me of little so much as a Poirot pre-unveiling, all the suspects gathered in the same space.

Kendall reciprocated. She is not Dan Brown, but as primarily a plot machine whose protagonists are ciphers in its service, she is closer to that end of things than the other. International Football: France v Turkey 8pm, Sky Sports Main Event The Group H sides battle it out.

Hannah J Davies, Dublin Murders finale review: A nerve-fraying crescendo ends in an anticlimax There’s a late, exposition-heavy survey of the clues you may have missed Wed, Nov 6, 2019, 21:00 Howard? Paul Howlett, Bringing your own travel cup to Costa will not, sadly, save the planet: hitting the vital target of net-zero carbon emissions in the UK by 2050 will require substantial changes in our daily lives.

Much, perforce, goes on, yet nothing feels hurried. As this series gallops onward, it becomes clear that Kate’s going to have to choose between loser Miles and Miles 2.0: and there are big, big existential questions raised about authenticity versus (perceived) perfection. French is a delicate builder of characters’ interior worlds, a precise mapper of the endlessly fascinating convolutions of both ordinary and murderous minds.

There are intermittent shocks throughout this triumphant eight-part adaptation (two episodes a week), by Sarah Phelps, of Tana French’s bestselling Dublin Murder Squad crime novel series.

TV tonight: get stuck into new crime thriller Dublin Murders The BBC’s intense detective drama is just right for the darkening nights. Anyway: Logan threw son Kendall to the wolves. We open with a man in a basement in the throes of a breakdown, watched by an expressionless young woman as he mutters desperately. There is no guarantee that good original material will make for a good adaptation. Personal quibbles apart, it’s still a winner. No less terrifically human is Greene.

“What if the killed are the lucky ones?

If Poirot had been planning not to unveil a murder suspect but to throw a high-flying “blood sacrifice” of kith and kin to media and shareholders, and if those gathered had been encouraged to bitch and fornicate and swear with exuberant inventiveness throughout. ‘What if the killed are the lucky ones?’ ... Killian Scott and Sarah Greene in The Dublin Murders. The key word there was “flawed”: Rob Reilly is hugely compromised.

Now Phelps has turned her hand to Dublin Murders (BBC One), an eight-part adaptation of In the Woods and The Likeness, two very good books by Tana French, an author very much at the other end of the scale. Giri/Haji is an immensely promising thriller set between Tokyo and London, and with a fine lead in Takehiro Hira as Kenzo Mori, a (compromised, obviously) detective on a quest in the UK capital. The BBC’s intense detective drama is just right for the darkening nights. By dint of humour, heft and that old-fashioned Scottish dichotomy of blending artsy creativity with hard-boned financial viciousness, he has made Roy his own, and made us root for, care about, a family which, in usual circumstances, I wouldn’t stop in the rain to scrape off my boot. ; and they’d dragged out, to arm-wave and get red-faced pro-Brexit business boss Tim Martin, who increasingly looks like a claymation dreamed up after too long in one of his Wetherspoon’s. They work, in part, so brilliantly because you can really only add to Christie. He rises,” on the billboards and the businessman who threatens to have him kneecapped if he reveals any of the secrets that seem to be torturing him.

Continues tomorrow. The SNP’s Joanna Cherry, a guest on the show, read out the overnight tweets of Prof John Curtice, who thought the ComRes poll used by the programme was flawed in allowing three options – leave with deal (30%), leave with no deal (20%), remain (42%) with the rest as don’t knows – to cloud the issue, rather than going for a simple rerun, to give a straight comparison with 2016. The BBC’s new cop hit brings brilliantly flawed humanity to familiar tropes, and Paul Rudd is literally at war with himself on Netflix, Sun 20 Oct 2019 02.00 EDT By the third episode, a truly novel, exceptionally inspired, twist on the concept of “undercover identity” will emerge. A brooding, intense psychological thriller, perfect for the darkening nights. The other two have not been seen since.



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