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I’ve used this technique many times when beginning work. He read through the piece (Ben read music as easily as someone else might read the newspaper), turned back to a measure midway through and said, “You know, you might put a trill on this note.” What might seem like a very minor suggestion opened a window for me, much more so than if he’d made a more direct criticism. Ben : Weber : Warning: images may be copyrighted. 45 & Serenade for Strings,... Schönberg: Fünf Klavierstücke, Op. Used by permission of the author.

32, performed by Orion Weiss, Fred Sherry, and the Orchestra of the League of Composers, presented by the American Composers Alliance at Symphony Space. This was before he moved uptown, and people who knew him then talk about the amazing dinner parties that he’d give in his Greenwich Village apartment. Ben’s health was precarious, and as a result, he’d often call and cancel on the day of a lesson. Ben Weber, the composer, was found dead Wednesday evening in his apartment at 418 Central Park West. 42, commissioned by the Louisville Philharmonic. Weber was largely self-taught. As Ned Rorem remembers, even though Ben rarely went out, he, nonetheless, was a major presence in the musical life of New York in the 1940s and 50s. I want to get that feeling across to people", says BEN.

62, for small orchestra in 1973. At De Paul he concentrated on music theory, but was otherwise a self-taught composer who took Schoenberg's Six Piano Pieces, Op. I’ll always be grateful that I had the opportunity to study with this truly great artist, at a time when I was just starting out in music, and to do it in the traditional way of a musical apprenticeship. William Jennings Bryan "Ben" Weber (July 23, 1916 in St. Louis – June 16, 1979 in New York) was an American composer.

In talking about a twelve-tone row, he said that working with a row was like walking into a forest: at first, everything is a blur, but as you enter and walk on, you gradually discover what is most beautiful and most interesting. It led me to think that the music could breathe more naturally; that I might look for ways to vary rhythmic patterns and not have so many events occurring on downbeats. A Sinfonia for cello and orchestra followed in 1945 - 1946, then a ballet for Merce Cunningham, The Pool of Darkness, scored for instrumental sextet in 1949. © Copyright 2012 Roger Tréfousse. One of the first pieces I brought to show him was a song cycle on poems by D.H. Lawrence. The Blake Symphony is one of Ben’s most powerful works, and we listened to it in the fabulous recording conducted by Leopold Stokowski, with his Symphony Orchestra and baritone soloist Warren Galjour. Shortly before his death, however, he received the news that his Fantasia was the most performed piece at a recent Kennedy Center piano competition. Grete had encouraged my early efforts at composing, and had come to The Theater for the New City to hear one of my first efforts, Hoosick Falls, an off-off Broadway musical.

Stokowski was part of the magic of Disney’s Fantasia, the cartoon popular with children in the 1940s and 50s, and these days, kids are enthralled with magic via the Harry Potter series. Of particular interest to me was the way that he’d used a single cello to successfully create the sound of a full string section. Musicologists consider him one of the most important and influential composers of his generation, and the list of performances and recordings is long and impressive. [Photo of Ben Weber courtesy of Roger Tréfousse. Price: $1.00 Il utilise la gamme des douze tons, mais plutôt que d'éviter la tonalité, il travaille avec et développe un style romantique virtuose.

(from left)Vice-President Richard Nixon, comedian Jack Benny, and ACA President, Ben WeberACA's Ben Weber presents the Laurel Leaf Award to Jack Benny, 1959Of course, there were times when he did go out. Orchestral works include pieces premiered and recorded under the batons of Leopold Stokowski and Leonard Bernstein; his chamber and piano works were performed by the instrumental virtuosi of the day, artists and ensembles such as Alexander Schneider, Mieczyslaw Horszowski, Joseph Fuchs and the Juilliard Quartet. His last concert work of note was Sinfonia Clarion, Op. A profile of the composer Ben Weber (1916-79), along with a list of their works available to browse and buy. When someone asked him why Schoenberg needed ten horns, he said, “Well, you idiot, it’s so he could have a whole chorus of the same instrumental color.”  Listening to Gurrelieder with Ben was a moving experience. It gives me joy and energy and ACA Bulletin cover and Laurel Leaf 1959 photo, courtesy of The American Composers Alliance Archives, at Special Collections in Performing Arts at the University of Maryland.]. The dust that covered the surfaces of the tables and the piano would swirl around, one of the dogs might knock over a chair, and the whole process was quite a circus (the poet Stephen Stepanchev describes it in one of his poems).

At one point, he said, “I learned everything I know about composing from Gurrelieder.”  The section where King WaBen Weber cover of ACA Bulletin magazine, Vol. I think it pleased him to know that this piece, originally written and recorded by his great friend William Masselos, had now solidly entered the piano repertoire. He composed chamber music for various combinations of instruments, orchestral music including concertos for violin and piano, piano music, and songs. Ben Weber Ben Weber was born in St Louis, Missouri in 1916 and died in New York City in 1979. Choral — Softcover — Classical SATB a cappella.



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